Showing posts with label ed gein. Show all posts
Showing posts with label ed gein. Show all posts

Friday, October 8, 2010

Texas Chainsaw Massacre True Story:Horror Movie

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First, was the woman who cried in class when I mentioned the Travis County, Texas County in which lies the capital city of Texas, Austin. She later said she thought it was a fictitious county. By the way, he asked, was the rest of the "Texas chainsaw slaughter of" real history, too? (I've never seen any of these films;. I understand that the 2003 version was established in Hewitt, Texas, a real city, small Texas, near Waco, between Dallas and Austin - but not Travis County'm not sure that Travis County has to do with any of the movies.)
Since then, over the last couple of weeks I have had at least a dozen applications for teaching the history behind the film, the "real story." The films are highly fictional, I note. Maybe I should plan a day to discuss real murders in Texas and only what is fiction, especially in Hollywood.
According to Snopes.com, one of my favorite places to discredit, there never was a massacre in Texas. There was a Wisconsin farmer who stole corpses from the local cemetery, and which was based on the previous film, Alfred Hitchcock, Psycho. It was the display of Montgomery Ward chainsaw seen by the writer and director Toby Hooper, when the inspiration he needed to complete a screen treatment. That's it.
But it is almost Halloween, and the Hollywood studios hope to make money.
There are real crimes of Texas, it would be good fodder for films, in the hands of intelligent and creative people. One wonders why more movies are not made on the real stories.
Historian Kent Biffle is a weekly column on matters of Texas history in the Dallas Morning News, for example - and last week filed a murder mystery of 1847 in which guests at a wedding cake is served mixed with arsenic:

    
No matter how you sliced luxury dessert serves 60 residents of East Texas in May 1847 was the wedding cake from hell. A few toxic bites sent guests into convulsions. At least 10 died.

    
A lack of evidence of the autopsy, people blamed Backwoods arsenic poisoning.

    
The marriage united a young couple on a farm in Shelby County near the Sabine River settlement east of Hamilton, which today is little more than a cemetery where several suspects historian Bill O'Neal cake eaters lie.

    
Author O'Neal joins the massive poisoning which concludes was "mortal enmity of Texas" in his new book, The War in East Texas: Regulators vs. Moderators. Vigilantes organized as "regulators" to punish suspected criminals, usually by flogging. He soon traded in their whips and canes of a lynch mob ropes and guns. Moderators said that emerged to regulate the regulators. As usual, the implementation of mob justice, vigilante leaders tended to focus on his personal enemies, along with real criminals.

    
"Four years or so Regulator-Moderator War, along with a deadly aftermath, produced more than 30 deaths - more than 40 if the poisoned victims of the wedding party added," said the professor of the University Panola O ' Neal. It was in Nacogdoches last weekend to describe the Regulator-Moderator insurrection of the members of East Texas Historical Association.
Was a range war. A leader of one faction was so good to kill, he thought to raise an army and take over Texas. Sam Houston of Texas president personally intervened and brought the warring parties to the peace table (shades of the Camp David Accord). Then one was killed in a duel that is when her lover exchanged insults with the wife of a doctor.
Texas history is often the material of the films. Real things would be better movies that much of what was done in the movies nowadays. And for many, the stories are public domain. Few writers of payment.

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News Alerts: Texas Chainsaw Massacre true Horror Story

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Texas Chain Saw Massacre is an independent 1974 American horror film directed by Tobe Hooper and written jointly by Hooper and Kim Henkel. Cast: Marilyn Burns, Gunnar Hansen, Teri McMinn, William Vail, Edwin Neal, and Paul A. Partain. Although presented as a true story involving the ambush and killing of a group of friends on a trip to rural Texas family of cannibals, the film is entirely fictional. Texas Chain Saw Massacre is the first of six films in The Texas Chainsaw Massacre film franchise, which includes Leatherface, the character modeled on the Wisconsin serial killer Ed Gein and Hansen played in this film.


Hooper produced the film with a budget of about $ 140,000 and gave relatively unknown actors, and people mostly from the areas adjacent Texas shooting locations. Principal photography for the film took place between July 15 and August 14, 1973. When the film was completed, Hooper is trying to find a distributor willing to release it because of its graphic depictions of violence, when he eventually secured distributor, Motion Picture Association of America (MPAA) gave the film a rating of R-and PG-rating Hooper had intended the film to get .

Bryanston distribution company has released Texas Chainsaw Massacre in theaters on October 1, 1974. Initially, the film drew a mixed reception from critics on the atmosphere, story, characters and graphic content, and the film was banned in many countries, however, it has become a strong commercial success, grossing 30.8 million dollars at the box office of the United States . Despite the lack of critical unanimity, Texas Chainsaw Massacre a reputation as one of the most influential horror films in cinema history. It originated several common elements in the genre of horror films, including the characterization of the killer, as a large, ungainly and faceless figures and use the tool as the murder weapon.
Sally Hardesty (Marilyn Burns) and her brother Franklin (Paul A. Partain), traveling with three friends, Jerry (Allen Danziger), Kirk (William Vail) and Pam (Teri McMinn), a cemetery containing the grave of his grandfather Hardesty. They aim to investigate reports of vandalism and desecration of the corpse. After that they decided to visit the old family homestead Hardesty, and on the way, the group takes a hitchhiker (Edwin Neal). The man speaks and acts weird, and then slashes and Franklin himself with a razor blade to a group of his strength from the van. Later they stop at a gas station to refuel, but the owner (Jim Siedow) tells them that the pumps are empty, and they continue to homestead, intending to return to the gas station after the fuel truck makes its delivery. Franklin says Kirk and Pam local hole basin, and the pair head to find him. Instead, they stumble upon a nearby house, Kirk yells asking for gas, while Pam waits on the porch.

Receiving no answer, but finding the door unlocked, Kirk enters the house where Leatherface (Gunnar Hansen) suddenly appears and kills him. Pam comes shortly after, finding the house filled with furniture made from human bones. She tries to escape, but Leatherface catches her before she could escape, impaling her on Meathook. At sunset, Sally’s boyfriend Jerry heads out of the old house to look for other Hardesty. Search the blanket a couple outside the house, he investigates and finds Pam still alive inside the freezer. Before he could react, Leatherface appears and kill him, stuffing Pam back in the freezer later.

With the haze, Sally and Franklin went in search of their friends. As they near the house of the murderer, calling for others, Leatherface attacks from the darkness and killing Franklin with a chainsaw. Sally runs into the house to find the dried residues of an elderly couple in the upper room. She comes from Leatherface, jumping over the second-floor window, and continues to run, eventually arriving at the gas station. When she reaches him, Leatherface disappears into the night. The owner initially calms her offers of assistance, then connects it to the ropes and forces her into his truck. He goes into the house, arriving at the same time as fellow travelers, who turns out to be the younger brother of Leatherface’s. When a couple bring Sally inside hitchhiking recognizes and ridicule her.

Torment men bound and gagged Sally, Leatherface, now dressed as a woman serves dinner. Leather and hitchhiking bring the old man up to the table to join the meal. At night, they decided to Sally to be killed “Grandpa (John Dugan), out of respect for his work at the slaughterhouse, when he was younger. “Grandpa” is too weak to attack Sally with a hammer, repeatedly dropping it. In the confusion, Sally gets loose, leaps through a window and runs away from home, running out onto the road. Leatherface and the hitchhiker are persecuted, but Hitchhiker’s run down and killed by passing truck trailer. Armed with his chainsaw, Leatherface attacks the truck when the driver stops to help, and punch in the face with a large spanner in the driver’s hands. Sally escape in line with passing pickup truck as the waves Leatherface chainsaw above his head in despair.
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Texas Chainsaw Massacre true Story

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Tobe Hooper film has changed gender. Perhaps most impressive of Texas Chainsaw Massacre is the myth and legend has become and the impact it has had. Often imitated, and so often misunderstood (or perhaps misremembered), the film was incredibly powerful. Everyone moves through the film, even people who have not seen it.
Hooper Much is written reasons for the film, I will not address these here I would emphasize aspects of the camera. These are important but (I hope the comments will be posted) and can be read in several articles. I will say I loved reading that seemed to have been inspired (in part) by standing in a long line at a store and the idea that he could get people to move if he had a chainsaw. This is not only fun, but requires a perfect example of why this genre is so human and should be much more accepted.
With all the fame of the film, is essentially bloodless. I was really impressed by this as I saw it again for this countdown. Instead of showing the blood and carnage, Hooper enjoys the opportunities to hide the blood. The screams and shrieks seem to substitute while the absolute strangeness of the images and characters builds and builds his plot. The crudeness of the camera is so important in the film. His mockumentary style was effective, unless it reinforces the "true story" tagline, but mostly because I believe that impressive third person POV. This is the best score in the home and on the porch. He also uses some wonderfully exciting close-ups that change things and create suspense. Dinner seen is one of the greatest horror scenes in the film about it for this reason. Marilyn Burns eyes seem to see things you can not, as the group makes fun of it and provides the best way to achieve their disappearance. Hooper wants us to violence in our minds, showing us everything we need and he knows the rest will come from us.
The Texas Chainsaw Massacre is one of my first moments of terror (and favorite), I was not alive when it was released, but a copy is available in my home as a child and I remember the impact of the idea that this was a true story. As I think most of it now, knowing that it is so I go back and forth on whether this is a kind of cheap trick (not so much with the Texas Chainsaw Massacre, but some of the other films that have used this) or if be thought of more as a stylistic choice. There is also the strange (guilty) the humor that can be felt every time the movie continues. This can be done in self defense, but can hardly help laughing at some of the extravagance of the family.
I also wanted to comment Leatherface as a villain. Spastic What absolute monster. Sincerely unknown history with his face hidden further fueling the sense of non-clarity. Why is this happening? He beat people with his hammer is one of the classic moments rewind and Hooper gives you 2 or 3 chances to see it. He is absolutely brutal, but also sad. The rest of the family are important, of course, however, is Leatherface that you can not take your eyes off this strange mass murderer.
In 80 minutes, Hooper offers a show that is "yes" macabre and scary, but in reality is merely good. This is independent film-is a great example of maximizing what you have and do it in a way that convinces us that funding constraints are truly brilliant minds can thrive.
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