I love New York. I love police shows. I loved Tom Selleck in "Magnum P.I." And somehow, despite everything that has going for it on paper, "Blue Blood" is being a stinker. Within the first 10 minutes, we are with the single "New York, New York", as Frank Sinatra (old "New York is" cliché) and Jay-Z "Empire State of Mind" (new "that is New York "cliché). The cases and issues to connect the Reagan family in coincidence with laughter, and Donnie Wahlberg, Mark's brother - playing Det. Danny Reagan - grunts and gestures as if he were constipated. Selleck, meanwhile, seems to be calling in. He still has a "mustache, but it lacks the Ferrari and the macho swagger that made him so attractive in the 80's. Disappointing. - Theoden Janes
What is Tom Selleck doing here? He has been drawing too rigid a emotional light around which the storm of a plot of eddies. Donnie Wahlberg does his best with what is magical detective who knows everything, but it seems that everything he does is a gold plated invitation to be fired. And it's too heavy with the sentimentality of the family for my tastes. I'm thinking this is going to books as DOA. - Mark Washburn
Boooorrrrring. The value of a season plot points introduced in the premiere episode, but I stayed cool - the "Da Vinci Code" as the secret group of policemen was the final straw. Tom Selleck's character is too good to be true, and would be pleased to know that is not old enough to be the father of Bridget Moynihan and Donnie Walhberg (the dinner table argument of a serious problem lies in "Get Fuck! "No, you're wrong!" Really?). I was easily distracted by Hammy in support roles to the agents and the inconsistencies of New York as parks right in front and the empty seats should be filled. This is simply not attractive enough DVR space demand.
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